tokyocabin 東京キャビン, music video press (based on my personal interest)

音楽ビデオ・ダンス・アニメ・ゲーム&ネコなど、おもしろ動画の研究・批評ブログ

東京キャビン

[Breaking News] So (Japanese Harps)+ EDM=TRiECHOES Eyeing Tokyo Olympics, But ...

日本語は下記をクリック! 

速報】箏(そう、お琴)+EDM=TRiECHOES(トライエコーズ)は東京オリンピックを狙ってるのだが… 

 

(*pre-proofreading version)

YouTube is, as it were, “Doctors Without Borders,” excuse me, “Contents Presentation Venue Without Borders.” While experiencing the unprecedented Japan Boom, there are so many people who are trying to sell various Japanese contents. I agree with them. While promoting Japan has a business side, it is,  strengthening the brand power of Japan, as well as obtaining an advantage in the information war (for economy and politics). That is to say, YouTube is a kind of the “Information battlefield Without Borders.” Hence we came across  “Doctors Without Borders” again, so let me stop this topic here.

Among contents making the most of the Japan taste, there is an area of “the performance of foreign popular songs with Japanese musical instruments.” Japanese listeners feel like listening to him when a handsome foreigner guitar player does Kenshi Yonezu’s song. An unfamiliar food material should be served after cooked in a form of a very familiar style for people who are going to “try” it.

The following music video is the so (o-koto, Japanese harp) version of Ed Sheeran’s Shape of You.  The introduction part is so slow, but don’t be deceived. I myself had almost tried to go to the next music. This is a little risky arrangement as a debut performance.  I mean, this can raise the exit rate.

Shape of You(Ed Sheeran Cover) - TRiECHOES  Please be patient and wait until 00:50.

Shape of You - TRiECHOES (Ed Sheeran Cover) | Traditional Japanese Harp "箏 KOTO" - YouTube

TRiECHOES Official
2019/02/12  Published

This is the very first song of TRiECHOES official channel, which is totally written in English, targeting foreign listeners. Launched in less than two weeks ago, the total view number is going to reach a million. This is quite an impressive start and its performance level is high enough to convince us. TRiECHOES’ music is deserved to be listened by people of the world! The visual direction is also remarkable. It should be highly appreciated that the group maintains the balance between good-old fashioned musical techniques and ultra-modern EDM sound effects. I am looking forward the next song, if possible, an original song would be better.

 

By the way, are they playing the “箏 so” or “琴 koto”? I first wrote the musical instruments are “琴 koto,” which is partly right but wrong at the same time.


Japanese “箏 so” = “箏 koto” = “お琴 o-koto”

 

Sorry but this is a quite tangled story and I recommend you to read the below for details. I promise that it is an interesting history on those musical instruments and am going to feature this in another article.

I appreciate a kind comment made by blogger Chabatee 64.

 

The next ensemble already has a certain track record at YouTube as a Japanese musical instrument group. Mahora is a little bit more close to traditional one compared to TRiECHOES and some people would like this group better. Its performance of “Merry Christmas Mr. Lawrence” allows you to be embraced by a peaceful atmosphere.

Japanese traditional musical instruments ensemble "MAHORA

和楽器で戦場のメリークリスマス弾いてみた!ーJapanese traditional musical instruments ensemble "MAHORA" - YouTube

和楽器アンサンブル真秀 Mahora
2018/05/15 Published

Oh, this music video makes me feel that “I’d like to be back to Japan right now,” although I am now in Tokyo. Then I come back to my reality. “No...I am in Tokyo in 2019,” said I, and live in the present. No wonder I feel in that way since this melody has a distinctive Japanese taste.

Merry Christmas Mr. Lawrence - Ryuichi Sakamoto who composed the number (Piano backed by orchestra) 

Merry Christmas Mr. Lawrence - Ryuichi Sakamoto HD (02-08-13) - YouTube

Arturo David Yelmo Márquez
2013/12/23 Published

What?!!!!  It is soooo touching!!  Why does this move me emotionally so much?  Is that because I have grew up to be an adult?  Or because I have read not a few number of history books?  Or because I read articles on war tragedy manga by Hiroshi Motomiya written by blogger Sankai-renzoku-10-cm?

By all means, I need to be back to Japan…. “C’mon, pull yourself together. Now is 2019 and here is Tokyo. The war is over.” Anyway, It is astonishing that such great music is shared for free around the world!

 

This is Maho-no-udon Office in charge of right-related matters. (Maho-no-udon is now temporary assigned to seessaa blog):

Let me share with you a brief explanation on the the copyright in YouTube. Today, thanks to technology, the right holder (Ryuichi Sakamoto? in this case) is able to know the existence of the video including his melody at the very moment when it is uploaded. Hence, it is possible that that video is “allowed to remain” by the right holder without being subjected to request for deletion. Moreover, the right holder is receiving earnings through vieweres' access to the video. It's on a case by case basis however.

Please refer to the following article for details.

OK, let’s go back to the firstly mentioned TRiECHOES. According to information in Twitter, the group is produced by an ex-employee of an auditing firm. He declared that TRiECHOES is eyeing the 2020 Tokyo Olympic Games. Wow! The Tokyo Olympics are the arena not only for athletes but for artists who wish to join the global event.


However, there are very strong rivals there. As I mentioned before, Daich Miura, who moved her Majesty’s heart, seems to have obtained a certain role.

World Order is likely to making a strong pitch targeting to the Tokyo Metropolitan Government Office. (The key is held by governor Yuriko Koike pushing ahead of her Safe City initative.  As you know, Genki Sudo is a super energetic global business man.

“BIG BROTHER” will protect Yuroko’s Safe City Tokyo!

That said, since TRiECHOES’s producer is another corporate soldier from an auditing firm, he may have a good chance of winning...


Excuse me, but I have to drop by another place, so I need to leave now. Can I think this topic over in my office?  See you later!

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tokyocabin